The Invite Review: Wilde’s Best Effort Yet

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We interview writer-director Rebecca Zlotowski on A Private Life, her newest mystery-crime feature film starring Jodie Foster and Virginie Efira.
Getting distracted is easy when a movie doesn’t quite capture your attention, but these 13 films are so good you won’t even check your phone.
Despite an assured visual style and a fantastic lead performance, Michael Sarnoski’s The Death of Robin Hood comes up very short.

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We interview writer-director Rebecca Zlotowski on A Private Life, her newest mystery-crime feature film starring Jodie Foster and Virginie Efira.
The Invite is Olivia Wilde’s best effort yet, delivering a horny, loud, soulful, mostly stressful, witty outlook on a relationship hanging by a thread.
Getting distracted is easy when a movie doesn’t quite capture your attention, but these 13 films are so good you won’t even check your phone.
Good Omens’ last episode, ‘The Finale’, could have been a last hurrah, or a wahoo, but instead presents us with an underwhelming, lackluster twist ending. 

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HEARD AT THE MOVIES

"I don't remember that part, all right? Let-Let's just not nitpick over the passwords."
One Battle After Another
"I've seen men die In ways I ain't even know was possible"
Sinners
"Grace Rocky save stars."
Project Hail Mary
"Do you know what I'm feeling now? I have it all."
No Other Choice
"Have you ever dreamt of a better version of yourself?"
The Substance
"I'm just gonna go chill in my mansion or whateva."
Anora